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Sankalpa Prakasa Stotra

anārādhya rādhā-padāmbhoja-reṇum anāśritya vṛndāṭavīṁ tat-padāṅkam asambhāṣya tad-bhāva-gambhīra-cittān kutaḥ śyāma-sindho rasasyāvagāhaḥ
Translation

Without worshipping the dust of Sri Radha's lotus feet, without taking shelter of Vrindavana forest that bears the mark of her footsteps, without conversing with those whose hearts are absorbed deep in her mood — how can one ever plunge into the deep waters of dark Syama's ocean of rasa?

navaṁ divyaṁ kāvyaṁ sva-kṛtam atulaṁ nāṭaka-kulaṁ prahelīr gūḍhārthāḥ sakhi rucira-vīṇā-dhvani-gatīḥ kadā snehollāsair lalita-lalitā-preraṇa-balāt sa-lajjaṁ gāndharvā sa-rasam asakṛc chikṣayati mām
Translation

When, sakhi, by the force of Lalita's charming encouragement and in outbursts of affection, will Sri Gandharva, bashfully yet with relish, again and again teach me a new, divine poem of her own composition, a matchless drama, riddles with hidden meanings, and the lovely movement of melody on the vina?

alaṁ-māna-granther nibhṛta-caṭu mokṣāya nibhṛtaṁ mukunde hā heti prathayati nitāntaṁ mayi jane tad-arthaṁ gāndharvā-caraṇa-patitaṁ prekṣya kuṭilaṁ kadā prema-krauryāt prakhara-lalitā bhartsayati mām
Translation

Mukunda, secretly flattering me in order to release the knot of Radha's pride, cries out to me again and again, "Alas, alas!" For that reason, seeing me fallen at Gandharva's feet with a suspicious glance, when will fierce Lalita, out of the very harshness born of her love, rebuke me?

mudā vaidagdhyāntar lalita-nava-karpūra-milana- sphuran-nānā-narmotkara-madhura-mādhvīka-racane sa-garvaṁ gāndharvā-giridhara-kṛte prema-vivaśā viśākhā me śikṣāṁ vitaratu gurus tad yuga-sakhī
Translation

Joyfully, with clever skill, in preparing the sweet madhvika drink charmingly blended with fresh camphor and sparkling with abundant playful jokes, proudly, overwhelmed with love, for the sake of Gandharva and Giridhari, may Visakha, the sakhi and guru of that divine pair, bestow her teaching upon me.

kuhūkaṇṭhī-kaṇṭhād api kamana-kaṇṭhī mayi punar viśākhā gānasyāpi ca rucira-śikṣāṁ praṇayatu yathāhaṁ tenaitad yuva-yugalam ullāsya sa-gaṇāl labhe rāse tasmān maṇi-padaka-hārān iha muhuḥ
Translation

May Visakha, whose voice is lovelier even than the cuckoo's, again bestow upon me lovely training in singing, so that through it I may delight the youthful divine pair along with the assembly of sakhis, and thereby, again and again, receive from them here in the rasa dance necklaces with jeweled pendants.

kvacit kuñje kuñje chala-milita-gopālam anu taṁ mad-īśāṁ madhyāhne priyatara-sakhī-vṛnda-valitām sudhā-jaitrair annaiḥ pacana-rasa-vic campakalatā- kṛtodya-cchikṣo 'yaṁ jana iha kadā bhojayati bhoḥ
Translation

Sometimes, in bower after bower, when my mistress Radha meets Gopala by some pretext at midday, surrounded by her most beloved host of sakhis, when, trained in the art of cooking by Campakalata, will this person feed them there with foods more delicious than nectar?

kvacit kuñja-kṣetre smara-viṣama-saṅgrāma-garima- kṣara-citra-śreṇīṁ vraja-yuva-yugasyotkaṭa-madaiḥ vidhatte sollāsaṁ punar alam ayaṁ parṇaka-cayair vicitraṁ citrātaḥ sakhi kalita-śikṣo 'py anu janaḥ
Translation

Sometimes, O sakhi, in the bower, when the wonderful rows of painted designs on the young couple of Vraja have melted away under the weight of Kama's fierce battle and their intense passion, will this person, trained by Citra, again joyfully draw them in full, beautifully, with many leaf-patterns?

paraṁ tuṅgādyā yauvata-sadasi vidyādbhuta-guṇaiḥ sphuṭaṁ jitvā padmā-prabhṛti-nava-nārīr bhramati yā jano 'yaṁ sampādyaḥ sakhi vividha-vidyāspadatayā tayā kiṁ śrīnātha-cchala-nihita-netrāṅgita-lavaiḥ
Translation

In the supremely exalted assembly of young women, Tungavidya, who by her wondrous, manifest skills clearly triumphs over the rival women headed by Padma — O sakhi, may I too become accomplished as a repository of various arts through her, so that what further need would I have of mere stolen glances secretly cast under some pretext by Srinatha?

sphuran-muktā-guñjā-maṇi-sumanasāṁ hāra-racane mudendor lekhā me racayatu tathā śikṣaṇa-vidhim yathā taiḥ saṅklṛptair dayita-sarasī-madhya-sadane sphuṭaṁ rādhā-kṛṣṇāv ayam api jano bhūṣayati tau
Translation

In the fashioning of garlands from shining pearls, gunja-berries, jewels, and flowers, may Indulekha joyfully teach me her method, so that with garlands thus made, in the abode amid the beloved lake, this person too may adorn Radha and Krishna.

aye pūrvaṁ raṅgety amṛtamaya-varṇa-dvaya-rasa- sphurad-devī-prārthyaṁ naṭana-paṭalaṁ śikṣayati cet tadā rāse dṛśyaṁ rasa-valita-lāsyaṁ vidadhatos tayor vaktre yuñje naṭana-paṭu vīṭīṁ sakhi muhuḥ
Translation

Ah, if the goddess whose name begins with the two nectarean syllables 'raṅga', shining with their rasa, teaches me the coveted array of dances, then, O sakhi, while the two of them perform in the rasa their graceful, rasa-filled dance, a sight to behold, may I, with a dancer's skill, again and again place betel into their mouths.

sa-dakṣa-krīḍāhaṁ vidhim iha tathā śikṣayatu sā sudevī me divyaṁ sadasi sudṛśāṁ gokula-bhuvām tayor dvandve khelām atha vidadhatoḥ sphūrjati yathā karomi śrīnāthaṁ sakhi vijayinīṁ netra-kathanaiḥ
Translation

May Sudevi likewise teach me here the skillful art of games, amid the divine gathering of Gokula's lovely-eyed women, so that when the pair engage in playful contest, I, through secret glances, may make her victorious over Srinatha.

rahaḥ kīra-dvārāpy ati-viṣama-gūḍhārtha-racanaṁ dale padme padyaṁ prahitam udaya-caṭu-hariṇā samagraṁ vijñāyācala-pati-valat-kandara-pade tad-abhyarṇe neṣye drutam ati mad-īśāṁ niśi kadā
Translation

Secretly, even through a parrot as messenger, a verse composed with an exceedingly difficult hidden meaning, written on a lotus petal and sent by Hari with ever-rising flattery, having fully understood it, when, at night, shall I swiftly lead my mistress to the place of a winding cave of Govardhana, the king of mountains, near that place?

adabhraṁ bibhrāṇau smara-raṇa-bharaṁ kandara-khale mitho jetuṁ viddhāv api niśita-netrāñcala-śaraiḥ api klidyad-gātrau nakha-daśana-śastrair api dara- tyajantau draṣṭuṁ tau kim u tamasi vatsyāmi samaye
Translation

Bearing fully the burden of Kama's battle upon the cave's rocky floor, the two of them, striving to conquer each other, pierced by the sharp, darting arrows of their glances, their bodies growing moist with the effort, marked by the weapons of nails and teeth as restraint gives way, shall I indeed remain there in the darkness at that hour, just to behold them?

samānaṁ nirvāhya smara-sadasi saṅgrāmam atulaṁ tadajñātaḥ sthitvā milita-tanu nidrāṁ gatavatoḥ tayor yugmaṁ yuktyā tvaritam abhisaṅgamya kutukāt kadāhaṁ seviṣye sakhi kusuma-puñja-vyajana-bhāk
Translation

Having brought to completion the matchless, evenly matched battle in Kama's arena, when the two of them, their bodies merged, fall asleep, then, O sakhi, remaining hidden nearby and swiftly, eagerly drawing close to that pair, when shall I serve them, holding a fan made of a cluster of flowers?

mudā kuñje guñjad-bhramara-nikare puṣpa-śayanaṁ vidhāyārān mālā-ghusṛṇa-madhu-vīṭī-viracanam punaḥ kartuṁ tasmin smara-vilasitāny utka-manasos tayos toṣāyālaṁ vidhu-mukhi vidhāsyāmi kim aham
Translation

Joyfully, in the bower amid swarms of humming bees, having prepared a bed of flowers and arranged garlands, fragrant kunkuma powder, sweet drink, and rolls of betel, so that the eager-hearted pair may again enjoy their amorous pastimes there, O moon-faced one, shall I do all this to please them fully?

jitonmīlan-nīlotpala-rucini kāntyorasi harer nikuñje nidrāṇāṁ dyuti-vijita-gāṅgeya-gurutām kadā dṛṣṭvā rādhāṁ nabhasi nava-meghe sthiratayā valad-vidyul-lakṣmyāṁ muhur iha dadhe thūt-kṛtim aham
Translation

When, having seen Radha asleep in the bower upon Hari's chest, whose luster surpasses a blossoming blue lotus, her radiance surpassing the richness of gold, resembling, steady in a fresh dark cloud in the sky, the splendor of flashing lightning, shall I, again and again, make the sound of warding off the evil eye from her?

vilāse vismṛtya skhalitam uru-raṅgair maṇi-saraṁ drutaṁ bhītyāgatya priyatama-sakhī-saṁsadi hriyā tam ānetuṁ smitvā tad-avidita-netrānta-naṭanaiḥ kadā śrīmān nātha sva-janam acirāt prerayati mām
Translation

When, having forgotten in their amorous play a splendid jeweled ornament that slipped off amid the great delight, Radha comes quickly, fearfully and bashfully, into the assembly of her dearest sakhis, when will the glorious Lord, smiling, through sidelong glances unnoticed by her, swiftly send me, his own servant, to fetch it back for her?

kvacit padmā-śaibyādika-valita-candrāvalīm uru- priyālāpollāsair atulam api dhinvann aghaharaḥ kadā vā mat-prekṣā-lava-kalita-vailakṣya-bharataḥ kva rādhety ājalpan malinayati sarvāḥ param imāḥ
Translation

Sometimes, while Aghahara is delighting Candravali, surrounded by Padma, Saibya and the rest, matchlessly with abundant joyous, loving talk, when will He, overcome with embarrassment on catching even a fraction of my glance, mutter "Where is Radha?" and thereby cast gloom over all these women?

sa-garvaḥ saṁruddhya prakhara-lalitādyāḥ sahacarīs tato dānaṁ darpāt sakhi mṛgayatā svaṁ giribhṛtā viśākhā man-nātha-nayana-naṭana-preraṇa-balāt vidhṛtyārān nītā ruṣam iha dadhānā kṣipatu naḥ
Translation

When proud Giridhari has blocked fierce Lalita and her other companions and then, O sakhi, arrogantly demands His toll, and Visakha is seized and led aside by Him through the urging of my Lord's dancing eyes, may she, full of anger, scold us here.

stanau śaila-prāyāv api tava nitambo ratha-samaḥ sphuṭaṁ jīrṇā naur me kalaya taṭinīṁ vāta-viṣamām kathaṁ pāraṁ gaccher iha nivasa rātrāv iti harer vacaḥ śrutvā rādhā kapaṭa-kupitā smerayatu mām
Translation

"Your two breasts are like mountains, your hips like a chariot, and truly my boat is old and frail — see how turbulent the river is with wind! How will you cross further? Better stay here tonight" — hearing these words of Hari, may Radha, feigning anger, make me smile.

idaṁ svānte kuñje kadalam api yad raṅgaṇa-latā- bhidhaika-svar-vallī-pavana-labhanenaiva phalitam tad-abhyāse sphūrjan madana-subhagaṁ tad yuva-yugaṁ bhajiṣye sollāsaṁ priya-jana-gaṇair ittham iha kim
Translation

This banana plant too, in the bower of my heart, has borne fruit simply by receiving the breeze of the one heavenly creeper named Rangana-lata. Shall I thus joyfully serve here, together with the hosts of dear ones, that youthful couple, charming with Madana's beauty, who shine near it?

About Sankalpa Prakasa Stotra

Raghunatha dasa Gosvami, among the most austere of the six Vrindavana Gosvamis and singled out by Chaitanya Mahaprabhu as the topmost example of renunciation, composed this stotra as a sequence of aspirations, each opening with kada, "when," for the intimate services he longs to render as a maidservant of the sakhis within Krishna's eternal pastimes. Each verse names a different confidante of Radha, Lalita, Visakha, Campakalata, Indulekha, and imagines being taught music, dance, cooking, or garland-making by her, before descending to the humbler wish simply to fan the divine couple or keep watch in the dark. It belongs to the manjari-bhava literature the Gosvamis pioneered, mapping a whole interior life of service onto the landscape of Vraja.

Verses
21

Frequently asked

Who wrote Sankalpa Prakasa Stotra?

Sankalpa Prakasa Stotra was composed by Raghunatha Dasa Goswami.

What is the meaning of Sankalpa Prakasa Stotra?

Without worshipping the dust of Sri Radha's lotus feet, without taking shelter of Vrindavana forest that bears the mark of her footsteps, without conversing with those whose hearts are absorbed deep in her mood — how can one ever plunge into the deep waters of dark Syama's ocean of rasa?

How many verses does Sankalpa Prakasa Stotra have?

Sankalpa Prakasa Stotra has 21 verses.

Can I download Sankalpa Prakasa Stotra as a PPT or PDF?

Yes. A ready-to-display slide deck for Sankalpa Prakasa Stotra — verse and translation on each slide — is available to download in both PowerPoint (.pptx) and PDF formats from this page, for use in kirtan or temple programs.