Vaishnava Songs
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Sri Prema Sudha Sattrakhya Sri Vrndavanesvari Namastottara Sata Nama Stotra

mānasaṁ mānasaṁ tyāgād utkaṇṭhārtaṁ nirundhatīm rādhāṁ saṁvidya vidyāḍhyā tuṅgavidyedam abravīt
Translation

Perceiving Radha, struggling to restrain her mind, tormented by longing, from giving up her jealous pride, the learned Tungavidya spoke these words:

vimuñca bandhure mānaṁ nirbandhaṁ śṛṇu me vacaḥ purā kandarpa-sundaryai yāny utkaṇṭhita-cetase
Translation

"Release your jealous pride, O lovely one, and listen closely to my words, those which, long ago, were given to Kandarpa-sundari when her heart, too, was full of longing."

bhagavatopadiṣṭāni tava sakhyopalabdhaye iṅgitābhijñayā tāni sindūreṇādya vṛndayā
Translation

"Those names, which were taught by the Lord for the attainment of your friendship, Vrinda-devi, who understands his hints, has today written out in vermilion

vilikhya sakhi dattāni sa jīvita-suhṛttamaḥ virahārtas tavemāni japan nāmāni śāmyati
Translation

and given, O sakhi. He, the dearest friend of your life, afflicted by separation, finds relief by chanting these names of yours."

rādhā kṛṣṇa-vanādhīśā mukunda-madhu-mādhavī govinda-preyasī-vṛnda-mukhyā vṛndāvaneśvarī
Translation

Radha; Mistress of Krishna's forest; the Madhavi creeper blossoming in the springtime that is Mukunda; foremost among Govinda's beloveds; Queen of Vrindavana —

brahmāṇḍa-maṇḍalottaṁsa-kīrtiḥ kārtika-devatā dāmodara-priya-sakhī rādhikā vārṣabhānavī
Translation

She whose fame is the crest-jewel of the whole universe; presiding goddess of the month of Kartika; dear companion of Damodara; Radhika; daughter of Vrsabhanu —

bhānu-bhakti-bharābhijñā vṛṣabhānu-kumārikā mukharā-prāṇa-dauhitrī kīrtidā-kīrti-dāyinī
Translation

Knower of the depths of devotion to Bhanu, the sun-god; young daughter of Vrsabhanu; the granddaughter of Mukhara through her daughter, dear to her as life; she who bestows glory upon mother Kirtida —

kṛṣṇa-premābdhi-makarī vatsalācyuta-mātṛkā sakhī-maṇḍala-jīvātur lalitā-jīvitādhikā
Translation

A makari (she-crocodile) playing in the ocean of love for Krishna; she whom Acyuta's mother cherishes with affection; the life of the whole circle of sakhis; dearer than life itself to Lalita —

viśākhā-prāṇa-sarvasvaṁ kāruṇyāmṛta-medurā paurṇamāsī-pṛthu-prema-pātrī subala-nanditā
Translation

The whole treasure of Visakha's life; richly steeped in the nectar of compassion; the vessel of Paurnamasi's abundant love; she who is gladdened by Subala —

kṛṣṇādhirāja-mahiṣī vṛndāraṇya-vihāriṇī viśākhā-sakhya-vikhyātā lalitā-prema-lālitā
Translation

Empress of Krsna the sovereign king; she who sports in the forest of Vrinda; renowned for her friendship with Visakha; fondly cherished by Lalita's love —

sadā kiśorikā goṣṭha-yuvarāja-vilāsinī govinda-prema-śikṣārtha-naṭī-kṛta-nijāṁśakā
Translation

Ever youthful; she who delights with the young prince of the cowherd folk; who, to teach love for Govinda, made her own expansion into a dancer —

prabodhinī-niśānṛtya-māhātmya-bhara-darśinī candrakānti-carī sarva-gandharva-kula-pāvanī
Translation

Revealer of the great glory of the dance on Prabodhini night; she who appeared as Candrakanti; purifier of the whole family of Gandharvas —

svajanma-bhūṣitottuṅga-vṛṣabhānu-kula-sthitiḥ lāsya-vidyā-vrata-snātā rāsa-krīḍādi-kāraṇam
Translation

She whose very birth adorned and exalted the lofty house of Vrsabhanu; immersed in the discipline of graceful dance; the very cause of the rasa dance and all such pastimes —

rāsotsava-puro-gaṇyā kṛṣṇa-nīta-rahaḥ-sthalā govinda-bandha-kavarī kṛṣṇottaṁsita-kuntalā
Translation

Counted foremost in the festival of the rasa dance; led by Krsna to a secluded place; her braid tied by Govinda's own hands; her locks adorned by Krishna himself —

vyakta-goṣṭhāravindākṣī vṛndotkarṣāti-harṣiṇī anna-tarpita-durvāsā gāndharvā śruti-viśrutā
Translation

She whose lotus eyes are famed throughout the cowherd settlement; greatly delighted by Vrnda-devi's glory; she who satisfied the sage Durvasa with food; Gandharva, celebrated even in the Vedic scriptures —

gāndharvikā svagāndharva-vismāpita-balācyutā śaṅkhacūḍāri-dayitā gopī-cūḍāgra-mālikā
Translation

Gandharvika, who astonished Balarama and Acyuta with her own mastery of music; beloved of him who vanquished Sankhacuda; the crest-garland at the very summit of the gopis —

cāru-gorocanā-gaurī gārutmata-nibhāmbarā vicitra-paṭṭa-camarī-cāru-veṇī-śikhā-ruciḥ
Translation

Fair and lovely with the golden hue of gorocana; her garment lustrous as an emerald; the tip of her beautiful braid gleaming like a many-colored silken whisk —

padmendu-jaitra-vaktra-śrī-niruddha-mura-mardanā cakorikā-camatkāri-hari-hāri-vilocanā
Translation

The beauty of her face conquers the lotus and the moon, and by it even Mura's conqueror is held captive; her glance astonishes the cakora bird, and her eyes steal away the very heart of Hari —

kāliya-damanotkampi-bhaṅgura-bhrū-bhujaṅgamā nāsikā-śikharālambi-lavalī-sthala-mauktikā
Translation

The serpents of her curving eyebrows make Krishna, the subduer of Kaliya, tremble; from the tip of her nose hangs a pearl like a lavali fruit —

bandhurādhara-bandhūka-vikṛṣṭa-madhusūdanā danta-nirdhūta-śikharā śikharīndra-dhara-priyā
Translation

Her charming lips, red as the bandhuka flower, draw Madhusudana to her; her teeth outshine the whiteness of a mountain peak; she is the beloved of him who lifted the king of mountains —

kapola-maṇḍalāndoli-maṇi-kuṇḍala-maṇḍitā pītāṁśuka-śukākarṣi-nistala-stana-dāḍimā
Translation

Adorned with jeweled earrings swinging against the roundness of her cheeks; her full, round pomegranate-like breasts draw the yellow-clad parrot, Krishna —

maṇi-kiṅkiṇy-alaṅkāra-jhaṅkāri-śroṇi-maṇḍalā sthalāravinda-viñcholi-nirmañchita-pada-dyutiḥ
Translation

Her hips encircled with tinkling jeweled bells; the radiance of her feet puts even the land-lotus to shame —

ariṣṭa-vadha-narmārtha-nirmāpita-sarovarā gandhonmādita-govindo mādhava-dvandvatāṅkitā
Translation

For whose delight, in jest during the slaying of Aristasura, a lake was fashioned; Govinda himself is maddened by her fragrance; she bears the marks of union with Madhava —

kālindī-kūla-kuñja-śrīr bhāṇḍīra-taṭa-maṇḍanā dhṛta-nandīśvara-sthemā govardhana-darī-priyā
Translation

The glory of the bowers along the Yamuna's banks; the ornament of the Bhandira region; ever steadfast in Nandisvara; she who delights in the caves of Govardhana —

vaṁśī-baḍiśikā-viddha-rasottarṣa-mano-jhaṣā vaṁśikā-dhvani-visraṁsi-nīvī-bandha-grahāturā
Translation

The fish of her mind, thirsting for rasa, is pierced by the hook of his flute; distressed, she clutches at the knot of her waist-cloth, loosened by the sound of the flute —

mukunda-netra-śapharī vihārāmṛta-dīrghikā nija-kuṇḍa-kuḍuṅgāntas tuṅgānaṅga-rasonmadā
Translation

The long nectar-lake in which the darting fish of Mukunda's eyes sport; within the bowers of her own kunda, ever maddened with the exalted rasa of divine love —

kṛṣṇa-bhrū-caṇḍa-kodaṇḍoḍḍīna-dhairya-vihaṅgamā anurāga-sudhā-sindhu-hindolāndolitācyutā
Translation

The bird of her composure takes flight, startled by the fierce bow of Krsna's brow; she who rocks Acyuta upon the swing set in the nectar-ocean of loving passion —

vrajendra-nandanasyendu-tuṅgitānaṅga-sāgarā anaṅga-saṅgarottṛṣṇa-kṛṣṇa-luñcita-kañcukā
Translation

The ocean of amorous passion within her swells like the tide beneath the moon that is the prince of Vraja; her bodice torn away by Krsna, eager for the battle of love —

līlā-padma-hatoddāma-narma-lampaṭa-keśavā hari-vakṣo-hari-grāva-haritālīya-rekhikā
Translation

She who strikes with her toy lotus Kesava, the rake of unrestrained jests; the yellow streak of haritala on the dark gem that is Hari's chest —

mādhavotsaṅga-paryaṅkā kṛṣṇa-bāhūpadhānikā rati-keli-viśeṣoha-sakhī-smita-vilajjitā
Translation

For whom Madhava's lap becomes her couch and Krsna's arm her pillow; made shy by the knowing smiles of her sakhis, who guess the particulars of that amorous sport —

ālī-puro-rahaḥ-keli-jalpotka-hari-vandinī vaijayantī kalābhijñā vana-srak-śilpa-kalpinī
Translation

Eager to sing Hari's praises before her sakhis, recounting their secret sport; Vaijayanti, skilled in the arts; adept in the craft of weaving forest garlands —

dhātu-citrātivaicitrī-visṛṣṭi-parameṣṭhinī vaidagdhī-prathamācāryā cāru-cāturya-citritā
Translation

Supreme mistress in the wondrous art of painting with mineral colors; the foremost teacher of artful refinement; adorned throughout with lovely cleverness —

asādhāraṇa-saubhāgya-bhāgyāmṛta-taraṅgiṇī maugdhya-pragalbhatā-ramyā dhīrādhīrāṅka-bhūṣitā
Translation

The rippling river of the nectar of unparalleled good fortune; charming both in innocent shyness and in bold assurance; adorned with the traits of heroines both composed and overwhelmed by passion —

śyāmala-pracchada-paṭī mūka-nūpura-dhāriṇī nikuñja-dhāma-saṁskāra-mādhavādhvekṣaṇa-kriyā
Translation

Wrapped in a dark veil, wearing silent anklets that make no sound; preparing the bower's abode and watching eagerly for Madhava's arrival —

prādurbhūta-ghanotkaṇṭhā vipralambha-viṣaṇṇa-dhīḥ prātar utprāsitopendrā candrāvalī-kaṭākṣiṇī
Translation

In whom intense longing has arisen, her mind despondent in separation; who teasingly reproaches Krsna in the morning, casting sidelong glances at Candravali —

anākarṇita-kaṁsāri-kāku-vādā manasvinī cāṭukāra-hari-tyāga-jātānuśaya-kātarā
Translation

The high-spirited one, who will not even listen to Krsna's piteous, pleading words; who rejects Hari even as he flatters her, yet is afterward distressed by the remorse that follows —

dhṛta-kṛṣṇekṣaṇautsukyā lalitā-bhīti-māninī viprayoga-vyathā-hāri-hari-sandeśa-nanditā
Translation

Ever eager to behold Krsna, yet keeping up her jealous pride for fear of Lalita; the pain of separation dispelled and her heart delighted by a message from Hari —

madālpa-jalpitādhīna-puṇḍarīkākṣa-maṇḍitā bhrū-līlā-mohitopendra-hastāgra-hṛta-vaṁśikā
Translation

Adorned by the fact that the lotus-eyed Lord submits even to her few, soft, intoxicated words; who bewilders him with the playful arch of her brows and snatches the flute from his very fingertips —

atulācyuta-mādhurya-svādanādvaita-bhāgya-bhūḥ niyuddha-śrānti-nidrāṇa-hari-hārāpahāriṇī
Translation

The matchless ground of fortune for tasting the incomparable sweetness of Acyuta; who steals the necklace of Hari as he sleeps, worn out from their playful wrestling —

dyūta-nirjita-vaṁśārthi-kaṁsāri-parihāsinī nija-prāṇārbuda-preṣṭha-kṛṣṇa-pāda-nakhāñcalā
Translation

Who teases Krsna, the enemy of Kamsa, when, having lost at dice, he begs for his flute back; for whom even the tip of Krsna's toenail is dearer than a hundred million of her own lives —

iti rādhā sakhī-vācam ācamya pulakāñcitā chadmanā padmanābhasya latā-sadmāntikaṁ gatā
Translation

Thus, having drunk in her sakhi's words, Radha, her body thrilling with ecstasy, went, under some pretext, to the bower-abode of Padmanabha.

yaḥ sevate jano rādhā-nāmnām aṣṭottaraṁ śatam nāmnā prema-sudhā-satram lihyāt prema-sudhām asau
Translation

Whoever devotedly recites these one hundred and eight names of Radha, known as "the Alms-House of the Nectar of Love," shall taste the very nectar of divine love.

About Sri Prema Sudha Sattrakhya Sri Vrndavanesvari Namastottara Sata Nama Stotra

Framed as a narrative in its opening and closing verses, this stotra has the erudite sakhi Tungavidya teach Radha, distressed with longing in Krishna's absence, a set of one hundred and eight names for herself that Krishna composed and sent through Vrinda-devi during their separation. The body of the stotra strings together dense Sanskrit epithets recalling episodes across Radha's life, her satisfying of the sage Durvasa, her friendships with Lalita and Visakha, her contests of wit and dice with Krishna, her role in the rasa dance. Attributed to Rupa Gosvami, the work closes with the promise, fitting its title "the alms-house of love's nectar" (prema-sudha-sattra), that reciting these names lets the devotee taste that very nectar.

Verses
42

Frequently asked

Who wrote Sri Prema Sudha Sattrakhya Sri Vrndavanesvari Namastottara Sata Nama Stotra?

Sri Prema Sudha Sattrakhya Sri Vrndavanesvari Namastottara Sata Nama Stotra was composed by Rupa Goswami.

What is the meaning of Sri Prema Sudha Sattrakhya Sri Vrndavanesvari Namastottara Sata Nama Stotra?

Perceiving Radha, struggling to restrain her mind, tormented by longing, from giving up her jealous pride, the learned Tungavidya spoke these words:

How many verses does Sri Prema Sudha Sattrakhya Sri Vrndavanesvari Namastottara Sata Nama Stotra have?

Sri Prema Sudha Sattrakhya Sri Vrndavanesvari Namastottara Sata Nama Stotra has 42 verses.

Can I download Sri Prema Sudha Sattrakhya Sri Vrndavanesvari Namastottara Sata Nama Stotra as a PPT or PDF?

Yes. A ready-to-display slide deck for Sri Prema Sudha Sattrakhya Sri Vrndavanesvari Namastottara Sata Nama Stotra — verse and translation on each slide — is available to download in both PowerPoint (.pptx) and PDF formats from this page, for use in kirtan or temple programs.