Sri Gopala Guru Goswami

Legacy

A disputed identity, a miracle after death, and a temple at Puri that still keeps his name at its door.

Puri and Vrindavana, after Gopala Guru Goswami's own disappearance

Traditional Gaudiya Vaishnava painting of Tungavidya Sakhi, one of the eight principal gopi companions of Srimati Radharani - the identity Gaudiya History's biography attributes to Gopala Guru Goswami, though a rendering of Dhyanachandra Go
Traditional Gaudiya Vaishnava painting of Tungavidya Sakhi, one of the eight principal gopi companions of Srimati Radharani - the identity Gaudiya History's biography attributes to Gopala Guru Goswami, though a renderin…Gaudiya History (ISKCON Desire Tree) · Used with attribution

Gopala Guru Goswami disappeared from this world, by every source consulted for this page, on the ninth day of a fortnight in the month of Kartika - though the sources do not agree on which fortnight, dark or bright. No year is recorded anywhere. What happened immediately afterward, and what is still shown to pilgrims at Puri today, makes up the most vivid part of his story.

DetailDescription
Disappearance dayNinth day of a fortnight (dark or bright - sources differ) in the month of Kartika
Disputed identityThe gopi Tungavidya Sakhi - claimed for Gopala Guru Goswami by Gaudiya History, but for Vakreshwara Pandita by a rendering of Dhyanachandra Goswami's own paddhati
Post-disappearance pastimeA reported reappearance and sankirtana procession at Puri, and a meeting with Dhyanachandra Goswami at Vamsivat, Vrindavana
Deity still seen todayA small deity of Gopala Guru Goswami himself, carved from a neem tree at Siddha Bakul, kept near the entrance of the Sri Radha-Kanta temple
Temple todaySri Radha-Kanta Matha (the Gambhira), Balisahi, Puri - an active pilgrimage site

A Contested Succession #

Gopala Guru Goswami is said to have grown anxious, in old age, about who would carry on Sri Radha-Kanta's seva after him - which is how, by temple tradition, he came to give initiation and charge of the Deity to Dhyanachandra Goswami. That handover did not go smoothly. The king of Puri, tradition says, was displeased that so important a temple's succession had been decided without his approval, and sent soldiers to take control of it the moment word reached him that Gopala Guru Goswami had died. Dhyanachandra Goswami, meanwhile, was still on his way to Swargadwar to cremate his guru's body when he heard the news. What followed is the single most striking pastime connected to Gopala Guru Goswami's name: holding his guru's feet and weeping, Dhyanachandra pleaded for help - and Gopala Guru Goswami is said to have risen from the funeral palanquin, led a sankirtana procession of astonished devotees back to the temple, and reclaimed Sri Radha-Kanta's seva in person. By this account he then remained active at the Gambhira through the reigns of three further kings before finally handing the Deity's care back to Dhyanachandra Goswami and leaving his body for good.

Meeting His Disciple in Vrindavana #

A second story, just as striking, follows the year after. A party of devotees traveling from Vraja to Puri for the Ratha-yatra festival told Dhyanachandra Goswami that his guru was doing bhajana near Vamsivat in Vrindavana - the very place on the Yamuna's bank where Krishna is remembered to have played His flute for the gopis. Dhyanachandra, astonished, walked the entire distance and found Gopala Guru Goswami exactly there, absorbed in japa. When Dhyanachandra protested that his guru had already left his body at Puri, Gopala Guru Goswami answered - lightly, by the account - that he did not yet understand the transcendental nature of Vrindavana Dhama, where such things are possible. He would not return to Puri, he said, but gave Dhyanachandra a final instruction instead: go to Siddha Bakul, where Sri Haridasa Thakura had done his own bhajana, find the old neem tree growing there, and have a deity of himself carved from its wood. That deity, placed before Sri Radha-Kanta whenever bhoga was offered, would let Dhyanachandra continue having his guru's darshan even without his physical presence. A small deity answering to exactly this description is still shown today, seated near the entrance of the Radha-Kanta temple at Puri - though, as with the sankirtana-procession story above, this pastime comes down only through devotional biography rather than through Chaitanya-charitamrita or a dated Prabhupada purport, and this page reports it as tradition rather than settled history.

An Unresolved Question: Who Was Tungavidya? #

One further claim about Gopala Guru Goswami does not survive a close check of the sources, and this page reports the disagreement honestly rather than picking a side. Gaudiya History's own biography states that "according to some, Gopal Guru Goswami was the gopi known as Tungavidya Sakhi," one of the eight principal gopi companions of Srimati Radharani in Krishna's Vraja pastimes. But a separate rendering of Dhyanachandra Goswami's own Dhyana-chandra-paddhati, circulated by the Vedic-library site isvara.org, quotes Dhyanachandra as writing that it was his own guru's guru - Vakreshwara Pandita, not Gopala Guru Goswami - who was "previously very expert in the arts of singing and dancing, the gopi, Tungavidya." These two claims cannot both be right, since Tungavidya Sakhi is one specific gopi and not two, and the sources consulted for this page offer no way to decide between them. Rather than silently choosing the more convenient answer, this page records both traditions and leaves the question open.

The Temple Today #

What is not in dispute is that Gopala Guru Goswami's own service left something lasting. The Sri Radha-Kanta Matha, still commonly called the Gambhira after the small room where Sri Chaitanya Mahaprabhu once lived, stands today at Balisahi, a short walk from Swargadwar in Puri, and remains an active Gaudiya Vaishnava pilgrimage site. Pilgrims can see the room Mahaprabhu himself occupied, along with relics said to be his own, and the altar Gopala Guru Goswami expanded - Sri Radha-Kanta at the center, flanked by Radharani and Lalita, with Gauranga and Nityananda Prabhu besides. A festival is still held there every year on the anniversary of the day Gopala Guru Goswami took charge of the seva, and devotees say he appears briefly, on that day, at one side of the seat where Mahaprabhu once sat. A boy who was once teased and given a joking title by God Himself became, by the end of his own life, one of the people entrusted with keeping God's own house at Puri open - and that house, by every account gathered for this page, is open still.

Scriptural sources for this pastime

That person who was previously very expert in the arts of singing and dancing, the gopi Tungavidya, is presently renowned in the world as Vakresvara Pandita.

on Vakresvara Pandita's identity Dhyana-chandra-paddhati (attributed to Sri Dhyanachandra Goswami)

This rendering of Dhyanachandra Goswami's own paddhati identifies Vakreshwara Pandita, not Gopala Guru Goswami, with the gopi Tungavidya Sakhi - directly contradicting Gaudiya History's claim about Gopala Guru Goswami himself; this page reports both rather than picking one.

According to some, Gopal Guru Goswami was the gopi known as Tungavidya Sakhi.

on Gopala Guru Goswami's identity Gaudiya History (ISKCON Desire Tree) biography

Recorded here as the competing claim to the one found in Dhyanachandra Goswami's own paddhati (see the citation immediately above), which assigns the same identity to Vakreshwara Pandita instead.

"Guru Maharaja, how is it possible? You left your body in Puri!" ... "Don't you understand the transcendental nature of Vrindavan Dham?"

on the post-disappearance meeting at Vamsivat Gaudiya History (ISKCON Desire Tree) biography

This dialogue, part of the tradition that Gopala Guru Goswami appeared to Dhyanachandra Goswami in Vrindavana after his own disappearance at Puri, is reported here as devotional hagiography rather than a documented historical event.