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Srila Bilvamangala Thakura

Renunciation and the Gouged Eyes

When lust troubled him a second time on the road to Vrindavana, Bilvamangala blinded himself so that he would not risk a third time.

On the road to Vrindavana, shortly after leaving Cintamani

A devotional painting of Sri Krishna playing His flute, the beauty Bilvamangala judged too dangerous to his vairagya, the reason given in tradition for his self-blinding.
A devotional painting of Sri Krishna playing His flute, the beauty Bilvamangala judged too dangerous to his vairagya, the reason given in tradition for his self-blinding.gaudiyahistory.iskcondesiretree.com (ISKCON Desire Tree) · ISKCON/BBT-affiliated devotional art, approved for use
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Freed from one attachment, Bilvamangala walked straight into a test of the same weakness. Somewhere on the road to Vrindavana, not long into his new life, his eyes settled on another woman's beauty, and his old habit of mind returned at once.

A Second Fall, Almost #

The accounts differ on the details. In one version he stopped at a well to ask a young, newly married woman for water. When he could not stop looking at her, he followed her home. In another version he simply noticed a beautiful woman on the road and followed her out of old habit. The fullest telling is attributed to Srila Narayana Maharaja. In it, the woman's husband mistook Bilvamangala for a genuine holy man and welcomed him as a guest. Before knowing what would be asked, the husband promised to grant whatever Bilvamangala requested. In every version, what Bilvamangala asked for was not the woman herself, but her hairpin.

"These Eyes Are My Enemy" #

Srila Prabhupada told this part of the story in the plainest terms:

"Mother, will you give me your hair pin? ... took the hair pin and pushed in the eyes: 'Oh, these eyes are my enemy.' Since then he became blind."

Other retellings add more details. They say he called her "Mother" to make clear that his purpose was not what it seemed. They say he asked for two hairpins, not one. And they say he explained himself aloud before acting. Just as a flute cannot sound without bamboo, he reasoned, his lust could not survive without the eyes that kept feeding it.

Most accounts agree that Bilvamangala blinded both eyes. But the story is old and has passed through many retellings, so other versions may exist elsewhere. What stays the same everywhere is his reason. It was not despair, and it was not punishment for its own sake. It was a deliberate and careful decision to remove the one sense that kept breaking his own resolve. He had taken vows of renunciation. So he judged that eyes which could not stop finding beautiful faces in strange women were of no further use to him.

Blindness as the End of an Old Life #

The self-blinding ends the story of Bilvamangala the brahmana householder, ruined by lust. It begins the story of Bilvamangala the blind devotee, whom Krishna Himself would not leave uncared for. Physically helpless on an unfamiliar road, he pressed on toward Vrindavana anyway, chanting as he went. What happened next is one of the most tender and often-painted pastimes connected with his name. It is told on Krishna as His Guide. The rebuke that pushed him this far is told in full on The Rebuke That Changed His Life.

Why This Story Endures #

Vaishnava teachers have never told this story as one about self-hatred. Instead, it is an extreme example of an ordinary teaching. If the senses are left unchecked, they will keep finding their way back to old habits, no matter how sincere a person's intentions are. Real vairagya, or renunciation, sometimes calls for firm and uncomfortable action, not just repeated good intentions. Srila Prabhupada took care to say that the real fruit was not in the blinding itself but in what came right after it:

"In that blindness he was worshiping Krishna, and Krishna was coming to him."

The act only matters because of where it led.

We should also say plainly how little in a story this vivid can be independently checked. No inscription, no dated manuscript, nothing outside the devotees' own memory confirms these details. The story has been kept alive because generation after generation of Vaishnavas found it worth telling, in words a little different each time. It has not been kept alive because it can be checked the way a modern biography can. That does not make it any less important to the tradition. As the next chapter of Bilvamangala's story shows, Sri Chaitanya Mahaprabhu Himself took this man's poetry seriously enough to carry it home from South India by hand.

Srila Prabhupada on this pastime

"So he asked that woman, 'Mother, will you give me your hair pin?' He took the hair pin and pushed in the eyes: 'Oh, these eyes are my enemy.' Since then he became blind. And in that blindness he was worshiping Krishna, and Krishna was coming to him. And he would not touch. He'll sing, dance, and He'll supply milk and go away."

Room Conversation with Allen Ginsberg: Conversation, 1969-05-13, Columbus, Ohio

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