Na Korolun Karama
nā koroluṅ karama, geyāna nāhi bhelo,
From Saranagati by Bhaktivinoda Thakura.
Atma Nivedana takes up the fifth of Rupa Gosvami's six limbs of surrender, atma-niksepa: the complete offering of the self, holding nothing back as one's own. At seven songs, it is one of the fuller sections of Saranagati, and unlike the more argumentative songs of the sections that precede it, this one reads as direct, unguarded confession — Bhaktivinoda Thakura is not developing a case here so much as speaking plainly, admitting failure and asking to be received regardless. Several songs work through the false ownership implicit in the words 'I' and 'mine' applied to a body and a life that were never truly one's own to claim, dismantling that ownership gradually across the section's seven songs rather than declaring it undone in a single verse. One of the section's later songs, addressed to actual people and possessions a person calls their own — moving through them individually and offering each to Krishna's service instead — is among the more quietly practical pieces in the whole book, avoiding abstraction in favor of the specific, ordinary content of a life. The section closes on a song whose title, atma-nivedana tuwa pade, self-offering at Your feet, effectively names the whole chapter it concludes, before Saranagati turns to Bhajana Lalasa, its long section of devotional longing that follows.
8 songs
nā koroluṅ karama, geyāna nāhi bhelo,
(prāneśwar!) kohobuṅ ki sarama ki bāt
mānasa, deho, geho, jo kichu mor
`ahaṁ mama’-śabda-arthe jāhā kichu hoy
`āmāra’ bolite prabhu! āre kichu nāi
bastutaḥ sakali tava, jīva keho noy
nivedana kori prabhu! tomāra caraṇe
ātma-nivedana, tuwā pade kori’,