Nandgram Dham Vaishnava Songs · nandgramdham.org/songs

Rasera Ādhāra Jini Tāṅra Citte Rasa Khani

Sthāyi-bhābai Rasera Kalaḥ — The Mellows of Sthāyi-bhāva

Instruction & Guidance (Upadeśa)

दिखाएँ

टेक्स्ट

1

rasera ādhāra jini tāṅra citte rasa-khani sei cittera abasthā biśeṣe śraddhā-niṣṭhā-rucy-āsakti krame hoya bhāba-byakti rati-nāme tāṅhāra nirdeśe

अर्थ

He whose heart is the reservoir of rasas, the jewel-mine of rasas, experiences in his heart first faith (śraddhā), and then, one after the other, steadiness niṣṭhā), attraction (ruci), and attachment (āsakti). In this way he attains ecstatic love, which is called by the name rati.

2

biruddhābiruddha-bhāba sarbopari swa-prabhāba prokāśiyā loya nija-baśe sakalera ādi-pati haya śobhā pāya ati sthāyī bhāba nāma pāya rase

अर्थ

Manifesting its dominion over all favorable (aviruddha) and unfavorable (aviruddha) bhāvas, the beautiful rasa known as sthāyi-bhāva is the master of all bhāvas.

3

mukhya-gauṇa-bhede tāra paricoya dwi-prakāra mukhya pañca gauṇa sapta-bidha santa dāsya sakhya āra bātsalya madhura sāra ei pañca rati mukhyābhidha

अर्थ

The rasas are of two kinds: direct and indirect. Five are direct and seven are indirect. The primary rasas are: śānta (neutrality), dāsya (servitude), sakhya (friendship), vātsalya (paternal love), and madhura (conjugal love).

4

hāsyādbhuta bīra āra koruṇa o raudrākara bhayānaka-bībhatsa-bibhede rati sapta gauṇī hoya saba kṛṣṇa-bhakti-moya śobhā pāya rasera prabhede

अर्थ

The seven indirect rasas, which are all beautiful and all filled with devotion to Lord Kṛṣṇa, are: hāsya (laughter), adbhuta (astonishment), vīra (chivalry), karuṇa (compassion), raudra (anger), bhayānaka (dread), and bībhatsa (ghastliness).