Dīkṣā Guru Kṛpā Kori' Mantra Upadeśa
dīkṣā-guru kṛpā kori' mantra-upadeśa
From Kalyanakalpataru by Bhaktivinoda Thakura.
Updesa, instruction, is the largest section of Kalyana-Kalpataru at twenty songs, corresponding to the first of the book's three main divisions, the other two being Upalabdhi, realization, and Ucchvasa, the increase of spiritual emotion. Almost every song addresses the mind, mana, directly, and Bhaktivinoda Thakura built the section as a connected sequence rather than isolated pieces, walking through one specific worldly attachment after another: lust, pride of wealth, of learning, of birth, of physical beauty, misplaced renunciation, restlessness, doubt, and the desire for formal yogic withdrawal or impersonalist merging into Brahman, each examined and corrected in its own turn before the section moves to the next. Bhaktivinoda, himself a formidably educated man who served for decades as a government magistrate while raising a family, wrote several of these cautions — against pride in scholarship, against outward renunciation without inner surrender — from what reads as direct, lived familiarity with the very temptations being addressed rather than abstract moralizing. The section closes on a sharp distinction between lust and love, a theme Bhaktivinoda returns to at length across his other songbooks and prose writings as one of the most fundamental distinctions in Gaudiya Vaishnava devotional theology, before Kalyana-Kalpataru turns to Upalabdhi and its more inward work of realization.
20 songs
dīkṣā-guru kṛpā kori' mantra-upadeśa
mana re, keno miche bhajicho asāra?
mana tumi bhālabāsa kāmera taraṅga
mana re, tumi boro sandigdha-antara
mana, tumi boḍai pāmora
mana, keno e saṁśoya
mana, tumi paḍile ki chāra?
mana, jogī ho'te tomāra bāsanā
ohe bhāi, mana keno brahma ho'te cāya
mana re, keno āra barṇa abhimāna
mana re, keno koro bidyāra gauraba
rūpera gauraba keno bhāi
mana re dhana-mada nitānta asāra
mana tumi sannyāsī sājite keno cāo
mana tumi tīrthe sadā rata
dekho mana brate jena nā hao ācchanna
mana tumi boroi cañcala
mana tore boli e bāratā
ki āra bolibo tore mana
keno mana kāmere nacāo prema-prāya