By the time He was a young pandit running His own school of Sanskrit grammar in Nabadwip, Nimai had already earned a reputation as the sharpest logician in a town famous for producing them. At this stage of His life Nimai was still a householder. He was still known simply as a brilliant and somewhat proud young scholar, and there was no outward sign yet of the sankirtana movement to come. It was then that a famous traveling pandit named Keshava arrived in Nabadwip. Keshava had been honoured with the title Kashmiri Pandita for his mastery of poetry and rhetoric.
Detail
Description
Opponent
Keshava, titled Kashmiri Pandita, a digvijayi scholar
Place
Nabadwip, on the bank of the Ganges
The challenge
A hundred extempore Sanskrit verses in praise of the Ganges
Nimai's reply
Questions revealing flaws, redundancies and unintended meanings
Outcome
Keshava conceded the next morning and gave up the pride of digvijaya
Keshava Kashmiri Pandita had already toured the length and breadth of India as a "digvijayi". This is a scholar who challenges the gatherings of learned men in every city he visits and, if no one defeats him, claims the title of conqueror of all directions. He had reportedly triumphed over the greatest pandits of Kashi, Kanchi and countless other centres of learning. He arrived in Nabadwip expecting an easy victory, as everywhere else. He hoped to add the town's proud reputation for scholarship to his own list of conquests. In Nimai's honour and as a challenge, he composed on the spot a hundred Sanskrit verses in praise of the Ganges. The verses were so full of alliteration and double meanings that no scholar present could immediately find fault with a single syllable.
Monochrome plate from Jadunath Sarkar's 'Chaitanya's Life and Teachings' (1922): Nimai seated on a courtyard terrace among brahmana scholars and students with palm-leaf manuscripts and a writing board, under a large tree beside the Ganga; a devotee prostrate below and a peacock at right. Reads naturally as the Nabadwip tol (school) scene of His student years.Wikimedia Commons · public domain
The pandits of Nabadwip did not want to be humiliated, but they could not answer Keshava on his own terms. It is said that they quietly asked the young Nimai to test the visiting scholar. Even though He was young, they already knew Him to be unusually gifted. Nimai listened to the hundred verses once. Then, with a courtesy that gave no hint of what was coming, He praised one particular verse. With apparent innocence He asked whether a certain compound word in it could carry a second meaning. Keshava was puzzled and admitted he had not intended one. Then Nimai went through the verses one by one. He showed that many of Keshava's own famous lines, read with strict grammatical care, actually contained faults, needless repetitions or unintended meanings. A truly perfect composition should never contain such things. Nimai did this so respectfully and so exactly that the older scholar could find no honest way to disagree.
The encounter is remembered as more than an ordinary contest between scholars because of the way Nimai won. He never boasted, never humiliated Keshava Kashmiri Pandita in front of the crowd, and never claimed to have "defeated" him. He raised questions as a respectful junior seeking to understand, and He let the older pandit see the flaws for himself.
That night, so the histories relate, Keshava Kashmiri Pandita had a dream. In it the goddess of the Ganges herself, whom his hundred verses had glorified, appeared to him. She revealed that the young brahmana who had questioned him that day was in fact the Supreme Lord. She also gently scolded him for his pride in digvijaya conquest. Shaken, Keshava returned the next morning and openly accepted that Nimai was greater. The two are said to have parted as friends, not rivals. Keshava Kashmiri Pandita continued his life, free of the very pride that had shaped his whole career until then.
For Gaudiya Vaishnavas, the episode is important in two ways. On the historical level, it firmly established Nimai as the finest scholar Nabadwip, and by extension all of Bengal, could produce. No one could rival Him, and this was settled before the sankirtana movement had even begun. Later He freely gave up this scholarly fame for the humility of the holy name, and His high position made that choice stand out even more clearly. On the spiritual level, later Vaishnava commentators read the story as an early, still-hidden hint of who Nimai really was. Even at the height of His fame as a logician, a moment's contact with Him was enough to reveal the presence of the Supreme Lord in a dream. Nabadwip itself would not fully recognise this truth until a short time later, when He returned from Gaya transformed forever.
jīyāt: long live; kaiśora: situated in the kaiśora age; caitanyaḥ: Lord Caitanya Mahāprabhu; mūrti-matyā: having accepted such a body; gṛha-āśramāt: from a householder’s life; lakṣmyā: by Lakṣmī; arcitaḥ: being worshiped; atha: then; vāk-devyā: by the goddess of learning; diśām: of all directions; jayi: the conqueror; jaya-chalāt: on the plea of conquering.
Long live Lord Caitanya Mahāprabhu in His kaiśora age! Both the goddess of fortune and the goddess of learning worshiped Him. The goddess of learning, Sarasvatī, worshiped Him in His victory over the scholar who had conquered all the world, and the goddess of fortune, Lakṣmīdevī, worshiped Him at home. Since He is therefore the husband or Lord of both goddesses, I offer my obeisances unto Him.
mahattvaṁ gaṅgāyāḥ satatam idam ābhāti nitarāṁ
yad eṣā śrī-viṣṇoś caraṇa-kamalotpatti-subhagā
dvitīya-śrī-lakṣmīr iva sura-narair arcya-caraṇā
bhavānī-bhartur yā śirasi vibhavaty adbhuta-guṇā
Word for word
mahattvam: greatness; gaṅgāyāḥ: of mother Ganges; satatam: always; idam: this; ābhāti: shines; nitarām: without comparison; yat: because; eṣā: she; śrī-viṣṇoḥ: of Lord Viṣṇu; caraṇa: feet; kamala: lotus flower; utpatti: generation; subhagā: fortunate; dvitīya: second; śrī: beautiful; lakṣmīḥ: goddess of fortune; iva: like; sura-naraiḥ: by demigods and human beings; arcya: worshipable; caraṇā: feet; bhavānī: of goddess Durgā; bhartuḥ: of the husband; yā: she; śirasi: on the head; vibhavati: flourishes; adbhuta: wonderful; guṇā: qualities.
“ ‘The greatness of mother Ganges always brilliantly exists. She is the most fortunate because she emanated from the lotus feet of Śrī Viṣṇu, the Personality of Godhead. She is a second goddess of fortune, and therefore she is always worshiped both by demigods and by humanity. endowed with all wonderful qualities, she flourishes on the head of Lord Śiva.’ ”
The single verse from Kesava Kasmiri's hundred that Mahaprabhu recited back from memory as a sruti-dhara.
শাস্ত্রের বিচার ভাল–মন্দ নাহি জানি ।
সরস্বতী যে বলায়, সেই বলি বাণী ॥ ৯৪ ॥
śāstrera vicāra bhāla-manda nāhi jāni
sarasvatī ye balāya, sei bali vāṇī
Word for word
śāstrera vicāra: discussion of śāstra; bhāla-manda: good or bad; nāhi jāni: do not know; sarasvatī: mother Sarasvatī; ye balāya: whatever she speaks; sei: those; bali: I say; vāṇī: words.
“My dear sir, I do not know what is good composition and what is bad. But whatever I have spoken must be understood to have been spoken by mother Sarasvatī.”
vastutaḥ: in fact; sarasvatī: mother Sarasvatī; aśuddha: impure; śloka: verse; karāila: caused him to compose; vicāra-samaya: at the time of reviewing; tāṅra: his; buddhi: intelligence; ācchādila: covered.
Sarasvatī had in fact induced the champion to compose his verse in an impure way. Furthermore, when it was discussed she covered his intelligence, and thus the Lord’s intelligence was triumphant.
sarasvatī: mother Sarasvatī; svapne: in a dream; tāṅre: unto him; upadeśa: advice; kaila: gave; sākṣāt: directly; īśvara: the Supreme Person; kari’: accepting; prabhuke: the Lord; jānila: he understood.
In a dream the goddess informed him of the Lord’s position, and the poetic champion could understand that Lord Caitanya Mahāprabhu is the Supreme Personality of Godhead Himself.
prāte: in the morning; āsi’: coming back; prabhu-pade: at the lotus feet of the Lord; la-ila: took; śaraṇa: shelter; prabhu: the Lord; kṛpā: mercy; kaila: showed; tāṅra: his; khaṇḍila: cut off; bandhana: all bondage.
The next morning the poet came to Lord Caitanya and surrendered unto His lotus feet. The Lord bestowed His mercy upon him and cut off all his bondage to material attachment.
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