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Sri Chaitanya Mahaprabhu

Inaugurating the Sankirtana Movement

From Srivasa Angan's closed courtyard to the open streets of Nabadwip, and the confrontation with Chand Kazi that made public sankirtana permanent

Nabadwip, in the years following His return from Gaya

Calcutta Art Studio chromolithograph, 19th century: Sri Chaitanya (blue chadar) and Nityananda (pink) with arms raised, leading nagara-sankirtana through the streets of Nabadwip - devotees with mridanga and karatalas, banners and flags, temples behind, devotees fallen in ecstasy in the foreground.
Calcutta Art Studio chromolithograph, 19th century: Sri Chaitanya (blue chadar) and Nityananda (pink) with arms raised, leading nagara-sankirtana through the streets of Nabadwip - devotees with mridanga and karatalas, banners and flags, temples behind, devotees fallen in ecstasy in the foreground. British Library copy.Wikimedia Commons (British Library) · public domain
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When Nimai returned to Nabadwip from Gaya, having received initiation from Ishvara Puri, the town that had known Him as its most brilliant young logician hardly recognised Him. The calm, argumentative pandit had become a man who wept at the sound of Krishna's name, who fell to the ground in the marketplace overwhelmed with emotion, and who could no longer complete an ordinary conversation without breaking into the maha-mantra. Many of His students and fellow scholars thought it was grief, or even madness. Only a small circle recognised what was really taking place. Chief among them was Nityananda Prabhu, who arrived in Nabadwip around this time. There was also Advaita Acharya, an elder Vaishnava who had for years been praying for the Lord to appear, and the devoted brahmana Srivasa Pandit.

DetailDescription
Where it beganSrivasa Angan, the courtyard of Srivasa Pandit in Nabadwip
First associatesNityananda Prabhu, Advaita Acharya, Gadadhara Pandit, Srivasa Pandit
The public turnNagara-sankirtana, congregational chanting through the town's streets
The oppositionChand Kazi, the Muslim administrator of Nabadwip
OutcomeThe prohibition withdrawn, and sankirtana permitted without restriction

Nightly Kirtana at Srivasa Angan #

The sankirtana movement was born in the courtyard of Srivasa Pandit's house, still known today as Srivasa Angan. Each night the doors were shut, and Nimai, Nityananda, Advaita Acharya, Gadadhara Pandit, Srivasa Pandit and a small but growing circle of devotees would sing and dance before the Deity until dawn. Together they explored the ecstatic moods of devotion that Nimai's presence seemed to awaken in everyone around Him. This worship began in private, even in secret, but it could not stay hidden for long. The sound of mridanga and karatalas, and the sight of grown men weeping and dancing through the night, drew first curiosity and then hostility from the more conservative brahmana community of Nabadwip. They saw in it a dangerous break from orthodox ritual religion.

Chore Bagan Art Studio colour lithograph c.1895, lettered in Bengali 'Sri Sri Mahaprabhur Sankirtana': Chaitanya (in red) and Nityananda (in blue) at the centre with arms raised, surrounded by devotees dancing with karatalas and mridanga, red flags flying. British Museum 2003,1022,0.17.
Chore Bagan Art Studio colour lithograph c.1895, lettered in Bengali 'Sri Sri Mahaprabhur Sankirtana': Chaitanya (in red) and Nityananda (in blue) at the centre with arms raised, surrounded by devotees dancing with karatalas and mridanga, red flags flying. British Museum 2003,1022,0.17.Wikimedia Commons (British Museum) · public domain

Taking the Chanting Into the Streets #

The turning point came when Nimai made a decision that changed the nature of the movement forever. Sankirtana would no longer be kept inside Srivasa's courtyard. He commanded that it be taken out into the open streets of Nabadwip, for everyone to see and join, whatever their caste, learning or social standing. He organised the assembled devotees into kirtana parties. For the first time, Nabadwip saw a full-scale nagara-sankirtana, a procession of congregational chanting moving through the town's streets and squares, with Nimai Himself dancing at its centre.

Kishangarh (Rajasthan) miniature painting, c.1750: Mahaprabhu dancing alone at the centre in a puddle of His own tears, haloed, encircled by named followers - Sivananda, Rupa Goswami, Murari Gupta, Haridasa Thakura, Mukunda, Nityananda Prabhu and others - playing mridangas and karatalas.
Kishangarh (Rajasthan) miniature painting, c.1750: Mahaprabhu dancing alone at the centre in a puddle of His own tears, haloed, encircled by named followers - Sivananda, Rupa Goswami, Murari Gupta, Haridasa Thakura, Mukunda, Nityananda Prabhu and others - playing mridangas and karatalas. Kronos Collections, held at the Metropolitan Museum of Art.Wikimedia Commons (Kronos Collections / Met) · public domain

Chand Kazi Breaks the Mridanga #

This public turn angered the town's Muslim administrator, the Kazi (locally called Chand Kazi). Resentful orthodox brahmanas were pressing him, complaining that the noise of drums and the mixing of castes at these gatherings threatened public order. Under this pressure the Kazi sent men to break up one of the kirtana parties, and in the process he smashed a mridanga drum. He forbade any further sankirtana in Nabadwip and threatened punishment for anyone who disobeyed. Nimai did not retreat. Instead, He organised the single largest sankirtana procession Nabadwip had ever seen. By some accounts there were fourteen separate kirtana groups, with thousands of torches lighting the night, all moving together toward the Kazi's own residence.

The Conversation With the Kazi #

When Nimai faced the Kazi, He met not anger but clear fear. So Nimai engaged him in a calm, respectful theological conversation. It is reported that He even addressed the Kazi as a relative, because the Kazi's family and Nimai's shared an ancestral connection from earlier generations. He reasoned with him from the Kazi's own religious texts about how glorifying God through His names is universal. The Kazi was moved by the sincerity of the conversation and, tradition says, by a direct spiritual experience during the exchange. He wept, embraced Nimai, and publicly withdrew his prohibition. He permitted sankirtana to continue in Nabadwip without restriction for as long as the town should exist. Local memory holds that the Kazi's own descendants honoured this assurance for generations afterward.

Sankirtana Becomes a Public Institution #

The Kazi's change of heart removed the last major obstacle to the movement's growth. From that point, sankirtana in Nabadwip was no longer a secret practice of a small circle of devotees meeting behind closed doors. It became an open, public and established practice of congregational chanting. This was exactly the form in which Sri Chaitanya Mahaprabhu intended the chanting of the holy names to spread. It was to spread first through Bengal and Odisha in His own lifetime. Afterward, through the Six Goswamis and the unbroken line of acharyas who followed Him, it was to reach the rest of the world.

Scriptural sources for this pastime

শুনিয়া যে ক্রুদ্ধ হৈল সকল যবন ।
কাজী–পাশে আসি’ সবে কৈল নিবেদন ॥ ১২৪ ॥

śuniyā ye kruddha haila sakala yavana
kājī-pāśe āsi’ sabe kaila nivedana

Word for word

śuniyā: by hearing; ye: that; kruddha: angry; haila: became; sakala: all; yavana: Muslims; kājī-pāśe: in the court of the Kazi, or magistrate; āsi’: coming; sabe: all; kaila: made; nivedana: petition.

Hearing the resounding vibration of the Hare Kṛṣṇa mantra, the local Muslims, greatly angry, submitted a complaint to the Kazi.

CC Ādi 17.124 Śrī Caitanya-caritāmṛta

The Muslims of Navadvipa complain to the Kazi about the loud chanting of the Hare Krishna mantra.

ক্রোধে সন্ধ্যাকালে কাজী এক ঘরে আইল ।
মৃদঙ্গ ভাঙ্গিয়া লোকে কহিতে লাগিল ॥ ১২৫ ॥

krodhe sandhyā-kāle kājī eka ghare āila
mṛdaṅga bhāṅgiyā loke kahite lāgila

Word for word

krodhe: in anger; sandhyā-kāle: in the evening; kājī: the Chand Kazi; eka ghare: in one home; āila: came; mṛdaṅga: drum; bhāṅgiyā: breaking; loke: unto the people; kahite: to speak; lāgila: began.

Chand Kazi angrily came to one home in the evening, and when he saw kīrtana going on, he broke a mṛdaṅga and spoke as follows.

CC Ādi 17.125 Śrī Caitanya-caritāmṛta

Chand Kazi breaks a mrdanga and forbids kirtana - the direct provocation for the first civil disobedience movement.

তবে মহাপ্রভু তার দ্বারেতে বসিলা ।
ভব্যলোক পাঠাইয়া কাজীরে বোলাইলা ॥ ১৪৩ ॥

tabe mahāprabhu tāra dvārete vasilā
bhavya-loka pāṭhāiyā kājīre bolāilā

Word for word

tabe: thereafter; mahāprabhu: Śrī Caitanya Mahāprabhu; tāra dvārete: at the Kazi’s door; vasilā: sat down; bhavya-loka: respectable persons; pāṭhāiyā: sending; kājīre: unto the Kazi; bolāilā: had them call.

Thereafter, when Śrī Caitanya Mahāprabhu reached the Kazi’s house, He sat down by the doorway and sent some respectable persons to call for the Kazi.

CC Ādi 17.143 Śrī Caitanya-caritāmṛta

Mahaprabhu leads the nagara-sankirtana to the Kazi's own door and sits down there.

কাজী কহে,—মোর বংশে যত উপজিবে ।
তাহাকে ‘তালাক’ দিব, কীর্তন না বাধিবে ॥ ১১২ ॥

kājī kahe, — mora vaṁśe yata upajibe
tāhāke ‘tālāka’ diba, — kīrtana nā bādhibe

Word for word

kājī kahe: the Kazi said; mora: my; vaṁśe: in the dynasty; yata: all (descendants); upajibe: who will take birth; tāhāke: unto them; tālāka: grave admonition; diba: I shall give; kīrtana: the saṅkīrtana movement; nā: never; bādhibe: they will oppose.

The Kazi said, “To as many descendants as take birth in my dynasty in the future, I give this grave admonition: No one should check the saṅkīrtana movement.”

CC Ādi 17.222 Śrī Caitanya-caritāmṛta

The Kazi's decree binding all his descendants never to stop the sankirtana movement.

এই মতে কাজীরে প্রভু করিলা প্রসাদ ।
ইহা যেই শুনে তার খণ্ডে অপরাধ ॥ ২২৬ ॥

ei mate kājīre prabhu karilā prasāda
ihā yei śune tāra khaṇḍe aparādha

Word for word

ei mate: in this way; kājīre: unto the Kazi; prabhu: the Lord; karilā: did; prasāda: mercy; ihā: this; yei: anyone who; śune: hears; tāra: his; khaṇḍe: vanquishes; aparādha: offenses.

This is the incident concerning the Kazi and the Lord’s mercy upon him. Anyone who hears this is also freed from all offenses.

CC Ādi 17.226 Śrī Caitanya-caritāmṛta

The concluding benediction: hearing the Kazi incident frees one from all offences.

Nandgram Dham
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