Mahā Bhuja Nācata Caitanya Rāya
mahā-bhuja nācata caitanya rāya
From The Acaryas Songs Glorifying Lord Gauranga and Govinda.
The largest chapter after Lord Nityananda in this collection, thirty-three songs describing Chaitanya Mahaprabhu's own ecstatic dancing during sankirtana, the congregational chanting He Himself popularised — ranging from His arms raised in dance to the golden radiance of His body as He moved, the central visual image this whole genre returns to again and again.
33 songs
mahā-bhuja nācata caitanya rāya
nācata nīke gaura-bara ratana
dekha śacī-nandana, jagata jībana dhana, anukhaṇa prema-dhana
gorā nāce prema binodiyā
nācaye caitanya cintāmaṇi
āre mora nācata gaura-kiśora
bhābe bharala hema tanu anupama re, ahar-niśi nija-rase bhora
nācaye gaurāṅga pahuṁ sahacara saṅga
nācata gaura pūraba rase bhora
nṛtyata gauracandra jana-rañjana, nityānanda bipada-bhaya-bhañjana
āju ki ānanda saṅkīrtane
nāce gaurāṅgacānda bibhora bhābete
nāce śacīra dulāla raṅge
nācata gauracandra naṭa-bhūpa
nācata gaura nikhila naṭa-paṇḍita nirupama bhaṅgī madana-mada hara-i
āju ki ānanda nadīyā-nagare, jagā-i mādhā-i dohe dekhibāre
nācata gaura naṭana paṇḍita-bara
bali-kali-matta-mataṅgaja-maradana, gaura-siṁha nācata nadīyāya
nācata gaura parama sukha-sadanā
nācata śacī-tanaya gaura-mādhurī mana mohe
kibā khola karatāla bāje
bhubana-mohana gorācānda
āju gorā nagara-kīrtane
śacīra dulāla gorā nāce
nāce gorā guṇa-maṇi kebala premera khani
gorā baḍa dayāra ṭhākura
nācata naṭa-bara gaura-kiśora
codige gobinda-dhwani śuni pahuṁ hāse
nadīyā-ākāśe saṅkīrtana-megha sāje
saṅkīrtana chale gaura nitā-i
nabadwīpe śuni siṁha-nāda
hari hari maṅgala bharata kṣiti-maṇḍala
śrībāsa-aṅgane binoda bandhāne